The Capital Art Show in Delhi is a vibrant celebration of artistic expression, showcasing the rich diversity and creativity of Indian artists through over 80 stunning artworks and sculptures, says Sakshi Priya
Delhi, a city full of cultural richness, has become a vibrant place of artistic energy, blending its historic heritage with modern creativity. As visitors entered The Claridges for "The Capital Art Show," they were immediately immersed in Delhi's vibrant artistic spirit. The exhibition unfolds as a space of mesmerising beauty, where every artwork tells a unique story that goes beyond language.This curated collection stands as a tribute to the artist's mastery, each piece reflecting their inner world with precision and passion. The exhibition celebrates the artist’s world, where every piece is a masterpiece that touches the soul. It’s a space where everyone wants to be included, as artists have a special way of expressing what words cannot, painting straight from the heart.
The Capital Art Show is more than an exhibition, it's a compelling display of human creativity and expression. Each piece offers a distinct appeal, drawing visitors into a space where emotions, memories and nature blend seamlessly. The gallery's peaceful yet vibrant atmosphere makes it feel as though the artworks are alive, quietly engaging with those who appreciate them. This collection, rich in diverse styles and mediums, invites deep reflection and enriches a profound connection. It pulls you into the artist’s world, much like M.F. Hussain’s bold acrylic strokes, which capture the energy and complexity of Indian life in a single painting.
The show, curated by the renowned Rahul Kumar and featuring the debut of Sameera Anand, offers a fresh perspective on Delhi’s evolving art scene. Her collection masterfully blends works from past legends with emerging talents, showcasing both legacy and innovation. Attendees were treated to masterpieces by iconic artists like F.N. Souza, S.H. Raza, B. Prabha and Krishen Khanna, along with dynamic pieces from contemporary artists such as Jeram Patel. With over 80 stunning artworks and sculptures, the exhibition celebrated the rich diversity and creativity of India’s artistic landscape.
The exhibition left no doubt that in the world of art, everyone yearns to be included. Through the universal language of visual expression, The Capital Art Show had created a space where attendees could feel truly alive, connecting with the indescribable and experiencing the profound beauty of human creativity. It was, in every sense, a masterpiece of curation and artistic expression.
The gallery was thoughtfully arranged into thematic sections, each offering a unique yet interconnected view of artistic expression. "Post-Modernism & The Indian Approach" challenged Western conventions with abstract and figurative works rooted in Indian identity. "Memory as a Tool," featuring Viswanath Kuttum’s evocative pieces such as What Do We Want to See in the World - (2024) and Ellora Caves Series (Set of 6) (2024), explored recollection through materials like paraffin, beeswax, resin and brown powder on paperboard, creating a dreamlike experience. In "The Self," N. Ramachandran’s mixed media boxes captured childhood memories, revealing different stories when opened or closed, with nostalgic engravings. "In Celebration of Nature," highlighted by KP Pradeepkumar’s Flower Seasons (2020), used mixed media including watercolours, gouache, tempera and pastels to honour the beauty and fragility of the natural world. In "Ecology & Environment" showcased Pankaj Chouhan’s compelling watercolour on paper, addressing environmental degradation and human impact. "Changing Architecture," represented by Sunil Yadav’s Geometric Paradox (2024) in pastels on paper, blended geometric and organic forms to explore how spaces shape emotions. "Abstracted Forms" featured deep sentiments manifested in non-representational works, with notable pieces like Kumaresan Selvaraj and Yuvan Bothisathuvar’s Nothing From (2022) on Canson paper and plywood, evocative art. Finally, "Progressives & Associates" paid tribute to the pioneers of Indian modernism, celebrating their bold innovation and influence on the future of Indian art.
The Capital Art Show was a deeply moving experience. It felt as though each artwork was speaking directly to us, creating a dialogue that spanned across time and personal boundaries. The art didn’t just hang on the walls, it seemed to breathe and interact, inviting us to see our own reflections in its depths. The show made the beauty of human creativity feel personal, reminding us that in the world of art, we all have a place. It was truly an immersive journey that left a lasting impression.
