The changing face of ram leela

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The changing face of ram leela

Tuesday, 15 October 2024 | Vinod Takiawala

The changing  face of ram leela

As traditional values blur, concerns grow about the erosion of cultural heritage of Ram Leela

The connection between Delhi’s residents and Ram Leelas is a deeply rooted tradition, with the historic Ramlila Maidan serving as a living testament to this cultural bond. Stories linked to the venue continue to be shared even today. During the Ram Leela performances, the atmosphere in Delhi and the NCR resonates with the chants of “Jai Shri Ram” and “Har Har Mahadev.” As evening falls, families eagerly set out to partake in the festivities. I, too, had the opportunity to witness some of these performances. However, to my disappointment, the portrayal of Ram’s story often appeared distorted, with dialogues sounding jarring and performances lacking in choreography. It seemed as though the actors, much like the director and scriptwriter, had little familiarity with the original Ramayana.

The Ram Leela I watched during my younger days has transformed into a commercial event, with little regard for the religious and cultural essence of this annual festival. It has become more of an entertainment spectacle than an exploration of the Ramayana’s teachings. For some, it’s a means to profit, while others use it as a platform to pursue their personal agendas. In the capital, the celebrations—including the enactment of the Ram Leela and the ritual of burning Ravana’s effigy—frequently feature prominent figures such as politicians and businessmen as guests of honour. It often feels as though the Ram Leela is being staged to honour them, as the announcements from the stage are filled with praises for their greatness and importance.

Yet, I couldn’t help but wonder whether any of them truly embodied the virtues of Maryada Purushottam Ram. Whether ministers, political leaders, social workers, or other distinguished personalities holding official positions, none struck me as being worthy of comparison to Ram. I kept asking myself, “Is there anyone among them who genuinely understands Ram or upholds his ideals?”

Moreover, the management of the Ram Leelas raises several concerns. From the chaotic parking outside the venues to the giant advertisements plastered on temporary boundaries, the arrangements leave much to be desired. The presence of high-ranking officials, Delhi police, and businessmen with their families often overshadows the experience of the common people. Organisers are granted access to public spaces with government support, including subsidised electricity, water, security, and other amenities. Despite this, substantial funds are collected through donations for staging the Ram Leelas, though there is no clear accounting or auditing of these finances. Only God knows where the money goes.

At one Ram Leela in Delhi, the organisers spared no expense in creating luxurious settings for themselves, while visitors had minimal or no facilities. A statue of Lord Ram was placed in an open field, and the idols of other Hindu deities were carelessly laid out on the ground. Meanwhile, the organisers and their close circle enjoyed lavish facilities in opulent tents with exclusive arrangements for food, photoshoots, and private promotions. Ordinary visitors, who came with their families to enjoy the performance, often struggled to gain entry. Once inside, they were met with private security guards employed to serve the organisers’ guests, who sometimes treated the common people poorly.

Ram Leelas have now become major attractions and money-making opportunities, with little consideration for the people who come to witness them. The entire event is chaotic, and all one can hope for is that it concludes without any unfortunate incidents. The ideals of Ram seem to be the last thing on the minds of those who organise these events. The essence of Ram Leela has been overshadowed by the spectacle of wealth and status. Even the story of Ram is distorted, and the dialogues are awkward—but that is the reality of modern-day Ram Leela.

(The writer is a freelance journalist; views are personal)

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