Shadow Puppetry, an ancient art that uses leather figures and light to tell stories, continues to captivate with its unique charm. The exhibition "Chhaya, The Shadow of Leather Puppets and Storytelling," presented by MATI, invites visitors to explore this fascinating tradition from Andhra Pradesh and Karnataka, says SAKSHI PRIYA
Shadow puppetry, a captivating and ancient form of storytelling, has charmed audiences across the world for centuries. This remarkable art form uses intricately crafted leather puppets cast against a translucent screen, illuminated from behind to create dramatic shadows that bring age-old tales to life. Originating in India and spreading to various parts of Asia, shadow puppetry is more than just a visual spectacle, it is a profound method of passing down cultural values and traditions through generations.
The exhibition Chhaya, The Shadow of Leather Puppets and Storytelling, presented by the Management of Art Treasures of India (MATI), offers a rare opportunity to explore the rich heritage of this timeless art form. The exhibition showcases a stunning collection of shadow puppets from Andhra Pradesh and Karnataka. Each puppet is a tribute to the skill and artistry of the creators, adhering to traditional iconography and narrative styles rooted in classical texts.
As visitors stroll through the exhibition, they encounter a diverse array of puppets, including revered figures like Lord Ram, Lakshman, Maa Sita, Hanuman and the formidable demon Ravana. The display also features depictions of Lord Shiva and Mata Parvati, complete with their vahanas, Nandi and Tiger. These puppets, adorned with vibrant colours and intricate details, provide a vivid glimpse into the epic stories of the Ramayana and Mahabharata.
The exhibition thoughtfully highlights the differences between the shadow puppets of Andhra Pradesh and Karnataka. The Andhra puppets, known as Tholu Bommalata, are celebrated for their grandeur and elaborate design, while the Karnataka puppets or Togalu Gombeyaata, are distinguished by their bold outlines and dramatic expressions. This side-by-side presentation allows visitors to appreciate the unique characteristics of each regional style and understand the cultural significance behind them.
One of the most striking aspects of Chhaya is its emphasis on the ongoing evolution of shadow puppetry. While deeply rooted in tradition, the art form is not static. Contemporary artists and performers are reimagining shadow puppetry, infusing it with modern themes and innovative techniques to reach new audiences. This dynamic approach ensures that shadow puppetry remains relevant in the modern era, bridging the gap between ancient traditions and contemporary artistic expression.
The success of this exhibition is an attestation to the vision and dedication of Siddhartha Tagore, the Founder-Trustee of MATI. Tagore, who established MATI in 2012, has long been a champion of Indian art. His earlier venture, ‘Art Konsult,’ aimed to promote Indian contemporary art globally. Through MATI, he has continued to broaden perspectives and highlight the importance of preserving India’s fading traditional and folk arts. His commitment is evident in the meticulous curation and presentation of Chhaya, reflecting a deep respect for both historical preservation and modern relevance.
In reflecting on the exhibition, it is clear that Chhaya, The Shadow of Leather Puppets and Storytelling is not just a showcase but a celebration of shadow puppetry’s enduring allure. It offers a profound opportunity to wonder at the beauty and complexity of this ancient art form while underscoring the critical need to safeguard and cherish our cultural legacy. The exhibition leaves a lasting impression, illustrating how tradition and innovation can harmoniously coexist and continue to enchant new generations.
