Unveiling the misogyny in fairytales: A feminist critique

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Unveiling the misogyny in fairytales: A feminist critique

Sunday, 04 August 2024 | Sulagna Mohanty

Unveiling the misogyny in fairytales: A feminist critique

In the enchanting world of fairytales, age-old stories have woven themselves into the fabric of our culture, shaping our perceptions and understanding of the world around us. Yet, beneath the guise of magic and fantasy lies a troubling reality: the portrayal of women through archaic tropes that perpetuate harmful stereotypes writes Sulagna Mohanty

In the enchanting world of fairytales, age-old stories have woven themselves into the fabric of our culture shaping our perceptions and understanding of the world around us. Yet, hidden beneath the guise of magic and fantasy lies a troubling reality; the portrayal of women through archaic tropes that perpetuate harmful stereotypes. If seen from a feministic lens, tropes like the witch, the evil stepmother and the damsel in distress reflect and reinforce harmful stereotypes about women and limit and distort our understanding of women’s experiences.

The portrayal of witches in fairy tales as powerful but wicked beings reflects society’s fear of women who do not conform to traditional gender roles. Witches are often depicted as old, ugly, and dangerous, embodying traits that are seen as undesirable in women. This portrayal reinforces the idea that women who are independent, assertive or different are to be feared and marginalised, perpetuating a culture of misogyny and exclusion.

This concept of “witch hunting,” born out of fear and prejudice has had devastating consequences throughout history. In medieval Europe, thousands of women were accused of witchcraft and executed in brutal witch hunts. These women were often healers, midwives or other powerful figures in their communities targeted for their knowledge and independence. The fear of witches and the persecution of women accused of witchcraft spread to colonial countries like India where women were often accused of witchcraft and subjected to violence and even death. Even today, women in some parts of India are killed in the name of witch hunts accentuating the lasting impact of this harmful stereotype. This concept of the witch reflects society’s discomfort with powerful women and is a reminder of the importance of challenging stereotypes and celebrating women’s autonomy and strength.

Further, the portrayal of the evil stepmother in fairytales not only vilifies women in positions of authority but also perpetuates a harmful narrative of competition and division among women. By pitting a woman against another woman, society creates a “divide and rule” policy where women are encouraged to fight among themselves rather than unite for their common rights and goals. This stereotype undermines the credibility of women in leadership roles by painting them as inherently dangerous and untrustworthy. It diminishes the achievements of women by suggesting that their success comes at the expense of others developing a culture of suspicion and mistrust among women. Moreover, the depiction of the evil stepmother discourages young girls from aspiring to leadership roles as it reinforces the idea that women in power are to be feared and avoided. Instead of inspiring girls to pursue their ambitions and dreams, this stereotype instils fear and self-doubt, limiting their potential and opportunities for growth.

It is essential to challenge and dismantle these harmful stereotypes to create a more inclusive and empowering society for women. By portraying women in positions of authority as capable, compassionate and supportive, we can inspire future generations of women to aspire to leadership roles and contribute positively to society. The damsel in distress trope exemplified by characters like Cinderella, Rapunzel and Sleeping Beauty portrays women as helpless victims in need of rescue by a male saviour. This narrative diminishes women’s agency by suggesting that they are incapable of taking care of themselves and solving their problems. It also underpins the idea that a woman’s ultimate goal in life is to find a man to rescue and protect her.

In Cinderella, the titular character is rescued from her life of servitude by Prince Charming who saves her from her oppressive stepfamily and offers her a life of luxury and love. Similarly, Rapunzel is locked away in a tower by a wicked witch until she is rescued by a prince who climbs up her hair. Sleeping Beauty is cursed to sleep for a hundred years until she is awakened by true love’s kiss. These stories send a harmful message to audiences particularly young girls by implying that women are incomplete without a man to rescue them. They fail to acknowledge women’s strength and ability to overcome challenges on their own. By perpetuating this trope, these stories emphasize outdated gender roles and limit the potential of women to be seen as capable and independent individuals.

Hence, it is time to challenge these harmful tropes and create new narratives that empower young girls and women and celebrate their diversity and strength. Instead of portraying women as either wicked witches, evil stepmothers or helpless damsels, fairytales must depict women as complex, multifaceted individuals with agency and autonomy. By telling stories that reflect the diverse experiences and identities of women, we can create a more inclusive and empowering narrative for future generations. One must realise that the witch, evil stepmother and damsel in distress tropes in old fairy tales are not harmless storytelling devices; they are powerful tools that shape our perceptions of women and their place in society. By examining these tropes through a feminist lens, we can begin to challenge and dismantle the stereotypes they perpetuate paving the way for a more inclusive and empowering narrative for women everywhere. It is time to tell new stories to our kids; stories that empower and inspire women to embrace their true selves and rewrite their destinies.

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