Kuchipudi exponent Yamini Reddy tells Shrabasti Mallik that while the young generation are eager to learn the classical disciplines, teaching is now being approached more commercially
Tell us about the continuity of classical dance traditions. How is the younger generation taking it up and carrying it forwardIJ
I see a lot of interest in the younger generation to learn dance. Parents and children alike are expressing interest in learning our classical dance traditions. So there is definitely a surge in the dance education, but I personally feel students need to take dance beyond the classroom and develop it as part of their life. Even if they do not perform it professionally they should respect, promote and take part in the creative processes.
This will not only be a great boost to the classical dance traditions but also to our culture in general. This is very important because after all our culture is our identity. It is what makes us Indian.
Has classical dance become commercial or people still pursue it for artistic purposesIJ
Classical dance has definitely become more mainstream and commercial than before. Artistes are approaching it in more a business like fashion with public relations, branding promotions et al. but amidst the buzz of this commercialisation one must not forget the core essence of our dance is spirituality. It has always been about transcending ourselves and reaching for something more than the body. We should always keep this in mind in our artistic pursuits.
To what extent can Indian classical dance be innovated uponIJ
Classical dance is a universal language. And just like any other language it has a grammar which needs to be learnt, practiced and mastered so that we can use this language to tell stories and mold it to our creative thinking.
So definitely classical dance can be innovated upon. The artiste first needs to master the language of dance and then start experimenting.