Naayaab highlights India's rich craftsmanship through over 100 masterpieces by renowned artisans. This exhibition blends tradition with innovation, presenting a unique cultural celebration, writes SAKSHI PRIYA
Naayaab, a groundbreaking exhibition platform, is set to become a beacon of India’s rich heritage, showcasing over 100 masterpieces by the nation’s most celebrated artisans. Spanning three major cities New Delhi, Hyderabad and Mumbai. This exhibition is more than just an exhibition, it is a profound celebration of India's artistic legacy, bringing together over 40 traditional art forms under one roof.
A Showcase of India's Artistic Diversity
Naayaab's significance lies in its ability to bring together an extraordinary collection of art forms, each representing a unique aspect of India's cultural fabric. With works from over 70 master artisans, including several Padma Shri and Shilp Guru awards, this exhibition is a rare opportunity to witness the pinnacle of Indian craftsmanship.
The exhibition highlighted the exceptional craftsmanship of several renowned artisans. Sudarshan Sahoo captivated with his intricate stone carving while Jai Prakash Lakhiawal impressed with his detailed miniature paintings. Khaleel Ahmad showcased his exquisite kilim carpets and Bhuri Bai presented her vibrant Bhil art. Durga Bai Vyam contributed her intricate Gond paintings. The visionary leaders behind Naayaab were Ajay A Singh, Founder Director and Akansha Dixit, Founder & Chief Curator.
One of the most captivating pieces is the Inlay Artistry Chest by Rupan Matharu, a work that exemplifies the exhibition's ethos of blending tradition with modernity. Crafted from Indian rosewood using traditional Hoshiarpur inlay techniques, Matharu’s chest replaces the historically used ivory or bone with acrylic, making it both environmentally conscious and a stunning piece of art. The intricate patterns and meticulous detailing make it a true testament to the mastery of Indian artisans.
Another powerful piece is Durga Bai Vyam's Gond Painting "Climate in Crisis", which uses symbolic imagery to address the resilience of nature in the face of human activity. This painting not only showcases the intricate detailing typical of Gond art but also delivers a poignant message about environmental conservation. Jai Prakash Lakhiawal’s Shrinathji in Tanjore and Miniature Fusion painting is another highlight, merging Tanjore and Pichwai styles to create a resplendent depiction of the Hindu deity. The use of gold leaf and natural pigments elevates this piece to a new level of artistic brilliance. The Heritage Red Sozni Shawl by Bashir Ahmed Bhatt is a must-see for those interested in traditional Indian textiles. This exquisite shawl, with its intricate embroidery of 600 stitches per centimetre, took four years to complete and is a tribute to the time-honoured skills of Kashmiri Sozni artisans.
Among the many remarkable pieces, Shiva Kumar's Tri Panel Mythic Tales stands out as a masterpiece of wood inlay and carving. Spanning six years in the making, this wooden set depicts narratives from the lives of Lord Rama and Lord Krishna across three panels, showcasing scenes like Sri Rama Pattabhishekam, Vishwaroopa and Krishna Leela. The craftsmanship is so intricate that concealed handles reveal a hidden third panel, an engineering feat in itself. The use of different woods and seashells for vibrant hues, along with hand-carved Yali motifs on the outer frame, make this artwork a true marvel.
Another notable piece is Mukesh Kumar Soni's Maharaja Brooch Pendant, a stunning example of Meenakari on gold. Inspired by the regal bearing of Rajput personages, this pendant cum brooch combines uncut diamonds, baroque freshwater pearls, glass, spinels, and gold to create a piece that is both opulent and refined. The intricate designs on both sides, along with the use of vibrant enamel colours, reflect the rich tradition of Meenakari, an art form passed down through generations since the Mughal era.
