Documentary film Dagarvani by Renuka George presented a day in the life of Dagar family and the legacy of Dhrupad music. By Darpan Mago
Digital documentation of age-old traditions and history is the best way to spread awareness among youth and preserve facts. Renuka George’s film, Dagarvani, is an example of how short films and documentaries can help youngsters learn about our classical art forms. The film that was recently screened at India International Center on the 20th death anniversary of Ustad Nasir Zahiruddin Dagar was about the musical legacy of the Dagar family. The screening was followed by a performance by his nephew Padmashree Faiyaz Wasifuddin Dagar.
The Dagar family comprising Ustads Zakiruddin Khan and Allabande Khan are the pioneers of Dhrupad tradition.
Dhrupad is one of the oldest vocal genre in Hindustani classical music, the tradition which was once dying, now stands strong and elaborate. Expansive efforts are being carried to continue and extend the reach of this form of music. The Dagar family since 1950s and 1960s has played a significant role in revival of Dhrupad.
In the film Dagarvani, initially made for French television, Renuka captures the everyday routine of Zahiruddin Dagar and his nephew Wasifuddin Dagar. It shows one whole day at the house of Dagars. Many subjects ranging from philosophy of music in Dagar family to the role of women in their household are part of the film. Zahiruddin Dagar and Wasifuddin Dagar hadn’t married and music has remained their prime focus. As Wasifuddin’s mother speaks in the film that both, her son Wasifuddin and his uncle Zahiruddin “are only married to their music.”
The women of the house are shown busy with their daily chores and music maestros are portrayed as ‘moody’ lot, who sing as per their wishes. In the film Zahiruddin says, “Mann nahi karta, toh hum nahi gaate…(if our heart doesn’t wish, we don’t sing).” The film makes sincere attempts to explore the connection between mastery in music and lifestyle adopted by the artist.
Said Renuka, “I was fascinated not only by the music of the Dagars but how their music produce an energy that connect the soul to the cosmos.”
Three compositions were presented at the concert by Wasifuddin Dagar on Durga, Brij Main Holi and Parvati and Mahadev.