The Japanese nationalist and artist Kakuzo Okakura was perhaps looking up to India as a civilisational bridge that would inspire a resurgent ‘Asianism’, when he began his opus, The Ideals of the East (1903), with the now famous exhortation, “Asia is one. The Himalayas divide, only to accentuate, two mighty civilisations, the Chinese with its communism of Confucius, and the Indian with its individualism of the Vedas. But not even the snowy barriers can interrupt for one moment that broad expanse of love for the Ultimate and the Universal, which is the common thought-inheritance of every Asiatic race, enabling them to produce all the great religions of the world, and distinguishing them from those maritime peoples of the Mediterranean and the Baltic, who love to dwell on the particular and love to search out the means, not the end, of life.”