Marking second day of 'Sixth Anniversary' on tribal life, Desh Gyan Parampara and Saundaryabod at Madhya Pradesh Tribal Museum, there were many performances.
Here on Friday, Gaan Singhing Shakya (Madhya Pradesh) singing 'Languruya singing' goddess Vandana 'Jagar magar matha hai maayya teri pooja nan janu' with his fellow artists.
After Maa Vandana, the artists took the fascination of all the audience by presenting the 'mathia shell shell languriya world chadhi darshan'. After this, the artists presented the 'Jhula Urai Dey Flowers Bagh Mein Hai'.
Gaan Singh Shakya paused his singing performance while presenting 'Ghutuan Khel Langroya' in 'Maiya Bhawan' with fellow artists. During the singing presentation, on the harmonium of Sukdev, on the harmonium, Sukesh Kumar, on the dholak, Ganesh Gupta on the Jhinka, Rajesh Kushwaha on tabla and the singing was done by Shivani Bhadauriya and Himanshu Shakya.
After the singing, tribal dance performances were held, in which the first donation by Dan Singh Maravi came with the accompaniment of Gond Tribe of Sala dance. Sala is tribal dance of the Gond tribe of Chhattisgarh, which is done after harvesting of the crop.
When the grain comes in the house and the color of hard work starts to scatter in the courtyards of the house, then there is an atmosphere of joy and joy. In this dance presentation, nearly 25 artists collaborated with Dan Singh Maravi. After the Sala dance, Anand Kumar Bharti presented the Bharaji tribe with his fellow artists in front of the audience. In this presentation, Anand Kumar Bharti was co-produced by nearly 20 artists.
After Bhadam dance, Shiv Kumar Dhavai spelled all the spectators by performing a paratha dance with nearly 20 actors. The dance performed on the occasion of marriage in the primitive tribe of Baga is called Parghoni dance.
The characteristic of this dance is that in it an elephant is created, on which the bride and groom are engaged in the sex-related rides and the comedians who make different mukhtins. The parrot wedding is a welcome dance. After Parghaui dance, Dan Singh Maravi stopped the dance performance while presenting Gudum Baja dance of Gond tribe with his fellow artists.
After the presentation of tribal dances, 'Shabri's Waiting' was centered on Shabri's patience and devotion, under the direction of Prayagraj's color guide Sushma Sharma was performed on the mausoleum of the museum.
The play was about Shabri. The Shramana salt Shabari originated in the Bhil caste from the beginning itself was different from its surroundings.
He was disgusted with animal violence. Shabari gave up home to save the lives of animals brought to the slaughter for food on their marriage. Wandering Shabri Matang reached the door of the ashram of the sage.
In this theatrical presentation, the patience and devotion of Shabri were beautifully presented to the audience by the artist.